The math is a little mysterious, and the software is a bit of a beast, but the input and output are familiar: Photo in, vector graphics out.
Our shape software takes an image in standard photo format -- png, jpg, etc. -- from which it creates a Scalable Vector Graphics (svg) image.
The shapes are derived from mathematical measurments of the photo; they are not ’synthesized’ or ’made up’. The shapes are hidden in the original photo.
The shape software’s control panel provides an enormous range of vector graphic output, which we have only begun to explore.
Hidden Shapes of Nature ™ are printed very large, revealing shapes down to the printer resolution, as shown in this 20x microscope view from a 160 x 107 cm Fox print. This wide dynamic range of perfectly sharp shapes is a powerful artistic tool.
click picture for detailThe images you see were created, selected, transformed, refined, and realized by our three person team. Every image is the result of many hours of work, as we collectively explored, discussed, and evolved our shape vision.
Our shape images aim to engage by highlighting, featuring, playing, and creating with the hidden complexity of natural shapes. This complexity is more familiar to the brain than to the eye.
To leverage our trio’s diversity, we structured a weekly studio day together. For example, we might spend the first hours looking at dozens of new photos on a large screen. Aside from the fact that Ross photos are always a joy for us to view together, we discussed and selected many for an initial look-see as shapes.
We then proceed from photos to shapes: hours of group large screen comparison and evaluation of shape images, focusing on visual engagement, novelty, complexity, and ambiguity to create our Hidden Shapes of Nature ™ ’look’. Selected photos and shape images are be promoted for further refinement, either by artist manipulation, or by computing different shapes.
Our studio sessions included appraisal of ink-jet printed shape images. Hidden Shapes of Nature ™ images can be printed at any size; we seek images for very large prints increasing unexpectedness and perplexity in the context of natural beauty.
Pictures: (top) Martin Brooks using magnifier to inspect large print at our studio; (bottom) viewing equipment for the creative process, including 5500K lighting and close-up lens on adjustable stand.click picture for detailHidden Shapes of Nature ™ are printed by Dave Andrews and Glen Foster.
Dave Andrews (right) and John Spence (left) in Dave’s studio.click picture for detailHidden Shapes of Nature ™ are mounted and framed by Michel Seguin in Montreal.
Michel Seguin in his studio.click picture for detailHidden Shapes of Nature ™ outdoor winter encapsulation by Display Laminating in Ottawa. All weather art !
click picture for detailOne hundred guests, seven large pieces (3x5foot), fifteen smaller pieces (22x17inch), in a spacious garden.
Eighty percent completed assessment forms for each large piece, involving visual, emotional, and preferential feedback.
Results were bimodal, with half articulating desire for abstracted compositions, half responding emotionally to animals, scenery, and picture.